Disquieting Muses

Sep 25

(Source: antonio-m, via consecratio)

(via consecratio)

hautekills:

Osklen s/s 2013

hautekills:

Osklen s/s 2013

(via consecratio)

(Source: youaresoft, via mermaidcunt)

historical-paintings:

William Bouguereau, The Captive (1891)

historical-paintings:

William Bouguereau, The Captive (1891)

(via mermaidcunt)

amajor7:

“If you can’t handle me at my worst you sure don’t deserve me at my best”
Cute floral dresses!
What’s segregation?

amajor7:

(via teen--idle)

efedra:

Limi Feu F/W 2012

efedra:

Limi Feu F/W 2012

(via consecratio)

(Source: dampness, via consecratio)


Nobody in Kentucky understands unless one of my films shows at Tinseltown, which is the name of the theater in Louisville. They’re like, “Oh is your film going to be in Tinseltown? No? Oh, sorry. Well I hope you find success!” It’s refreshing, because no matter how much success I find here, when I go home, nobody cares.”

Nobody in Kentucky understands unless one of my films shows at Tinseltown, which is the name of the theater in Louisville. They’re like, “Oh is your film going to be in Tinseltown? No? Oh, sorry. Well I hope you find success!” It’s refreshing, because no matter how much success I find here, when I go home, nobody cares.”

(via teen--idle)

lifeinthearctic:

in the 18th and 19th centuries, wealthy british and european lovers exchanged ‘eye miniatures…’ love tokens so clandestine that even now it is almost impossible to identify their recipients or the people they depict. they were meant to be worn inside the lapel, near the heart.

lifeinthearctic:

in the 18th and 19th centuries, wealthy british and european lovers exchanged ‘eye miniatures…’ love tokens so clandestine that even now it is almost impossible to identify their recipients or the people they depict. they were meant to be worn inside the lapel, near the heart.

(via mermaidcunt)